The golden age of pantomime : slapstick, spectacle and subversion in Victorian England / Jeffrey Richards.

By: Richards, Jeffrey [author.]Material type: TextTextPublisher: London : I.B. Tauris & Co. Ltd, 2015Description: xiii, 438 pages : illustrations ; 23 cmContent type: text Media type: unmediated Carrier type: volumeISBN: 9781780762937; 1780762933Subject(s): Pantomime -- Great Britain -- History -- 19th century | Pantomime (Christmas entertainment) -- History -- 19th century | Performing arts -- Great Britain -- History -- 19th century | Theater -- Great Britain -- History -- 19th century | Theatre Royal, Drury Lane (London, England) | Storbritannien | Theatre Royal, Drury Lane (London, England) | Pantomime | Pantomime (Christmas entertainment) | Performing arts | Theater | Great Britain | Pantomimteater -- historia | 1800-1899 | 1800-taletGenre/Form: History.DDC classification: 792.3/8094109034 LOC classification: PN1987.G7 | R53 2015
Contents:
Transformations -- Harlequinade -- Fairyland -- James Robinson Planché and the classical extravaganza -- James Robinson Planché and the Fairy extravaganza -- William Roxby Beverley and the triumph of scene-painting -- The Drury Lane Pantomime: the creators -- E.L. Blanchard and the Drury Lane Pantomimes: the Smith management -- E.L. Blanchard and the Drury Lane Pantomimes: the Chatterton management -- Sir Augustus Harris and the battle for Pantomime.
Summary: In Victorian England, everyone went to the pantomime, from Queen Victoria and her family to the humblest of her subjects. The English Pantomime is one of the most popular, least examined of all theatrical forms. It's been the festive mainstay of the English stage since the eighteenth century, and it has survived by its ability to evolve. This continual evolution is traced by Jeffrey Richards in the first history of panto through its 'Golden Age' in Victorian England. He explores the spectacle, the slapstick, and the talent for subversion that nineteenth-century pantomime had - and still has today. He shows the panto, with its remarkable actors, managers, producers and punters across the country from Drury Lane to Blackpool, to be a remarkable cultural barometer of its times. This is a treat as rich as turkey and Christmas pudding.
Tags from this library: No tags from this library for this title. Log in to add tags.
    Average rating: 0.0 (0 votes)
Item type Current library Call number Copy number Status Notes Date due Barcode
Books Books Female Library
PN1987.G7 .R53 2015 (Browse shelf (Opens below)) 1 Available STACKS 51952000210689
Books Books Main Library
PN1987.G7 .R53 2015 (Browse shelf (Opens below)) 1 Available STACKS 51952000210696

In Victorian England, everyone went to the pantomime, from Queen Victoria and her family to the humblest of her subjects. The English Pantomime is one of the most popular, least examined of all theatrical forms. It's been the festive mainstay of the English stage since the eighteenth century, and it has survived by its ability to evolve. This continual evolution is traced by Jeffrey Richards in the first history of panto through its 'Golden Age' in Victorian England. He explores the spectacle, the slapstick, and the talent for subversion that nineteenth-century pantomime had - and still has today. He shows the panto, with its remarkable actors, managers, producers and punters across the country from Drury Lane to Blackpool, to be a remarkable cultural barometer of its times. This is a treat as rich as turkey and Christmas pudding.

Includes bibliographical references and index.

Transformations -- Harlequinade -- Fairyland -- James Robinson Planché and the classical extravaganza -- James Robinson Planché and the Fairy extravaganza -- William Roxby Beverley and the triumph of scene-painting -- The Drury Lane Pantomime: the creators -- E.L. Blanchard and the Drury Lane Pantomimes: the Smith management -- E.L. Blanchard and the Drury Lane Pantomimes: the Chatterton management -- Sir Augustus Harris and the battle for Pantomime.

1 2

There are no comments on this title.

to post a comment.