Art in theory, 1900-2000 : an anthology of changing ideas / edited by Charles Harrison and Paul Wood.

Contributor(s): Harrison, Charles, 1942-2009 | Wood, PaulMaterial type: TextTextPublisher: Malden, MA : Blackwell Pub., 2003Edition: 2nd edDescription: xxvii, 1258 p. ; 26 cmISBN: 0631227075 (alk. paper); 9780631227076 (alk. paper); 0631227083 (pbk. : alk. paper); 9780631227083 (pbk. : alk. paper)Uniform titles: Art in theory, 1900-1990. Subject(s): Art, Modern -- 20th century -- PhilosophyLOC classification: N6490 | .A7167 2003
Contents:
Classicism and originality -- Expression and the primitive -- Modernity -- Cubism -- Neo-classicism and the call to order -- Dissent and disorder -- Abstraction and form -- Utility and construction -- The modern as ideal -- Realism as figuration -- Realism as critique -- Modernism as critique -- The American avant-garde -- Individualism in Europe -- Art and society -- Art and modern life -- Modernist art -- Objecthood and reductivism -- Attitudes to form -- Political aspects -- Critical revisions -- The critique of originality -- Figures of difference -- The condition of history.
Tags from this library: No tags from this library for this title. Log in to add tags.
    Average rating: 0.0 (0 votes)
Item type Current library Call number Copy number Status Notes Date due Barcode
Books Books Female Library
N6490 .A7167 2003 (Browse shelf (Opens below)) 1 Available STACKS 51952000115878

Rev ed. of: Art in theory, 1900-1990. 1993.

Includes bibliographical references (p. [1188]-1211) and index.

Classicism and originality -- Expression and the primitive -- Modernity -- Cubism -- Neo-classicism and the call to order -- Dissent and disorder -- Abstraction and form -- Utility and construction -- The modern as ideal -- Realism as figuration -- Realism as critique -- Modernism as critique -- The American avant-garde -- Individualism in Europe -- Art and society -- Art and modern life -- Modernist art -- Objecthood and reductivism -- Attitudes to form -- Political aspects -- Critical revisions -- The critique of originality -- Figures of difference -- The condition of history.

There are no comments on this title.

to post a comment.