000 | 03464cam a22004094a 4500 | ||
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001 | u5541 | ||
003 | SA-PMU | ||
005 | 20210418123250.0 | ||
008 | 020918s2003 ilua b 001 0 eng | ||
010 | _a 2002035978 | ||
040 |
_aDLC _beng _cDLC _dVOC _dWSL _dBAKER _dNLGGC _dBTCTA _dYDXCP _dOCLCG _dITJCU _dIG# _dUKM _dGEBAY _dCCO _dOCLCQ _dDEBBG |
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020 | _a0226571661 (cloth) | ||
020 | _a9780226571669 (cloth) | ||
020 | _a0226571688 (paper) | ||
020 | _a9780226571683 (paper) | ||
035 |
_a(OCoLC)50669196 _z(OCoLC)51913291 _z(OCoLC)196706954 |
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042 | _apcc | ||
050 | 0 | 0 |
_aN34 _b.C75 2003 |
082 | 0 | 0 |
_a701/.4 _221 |
245 | 0 | 0 |
_aCritical terms for art history / _cedited by Robert S. Nelson and Richard Shiff. |
250 | _a2nd ed. | ||
260 |
_aChicago : _bUniversity of Chicago Press, _cc2003. |
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300 |
_axvi, 519 p. : _bill. ; _c25 cm. |
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504 | _aIncludes bibliographical references and index. | ||
505 | 0 | 0 |
_tList of illustrations -- _tMediation / _rRobert S. Nelson -- _tAt the place of a foreword : someone looking, reading, and writing / _rRobert S. Nelson -- _tOperations -- _tRepresentation / _rDavid Summers ; _tSign / _rAlex Potts ; _tSimulacrum / _rMichael Camille -- _tCommunications -- _tWord and image / _rW.J.T. Mitchell ; _tNarrative / _rWolfgang Kemp ; _tPerformance / _rKristine Stiles ; _tStyle / _rJas Elsner ; _tContext / _rPaul Mattick, Jr. / _tMeaning/interpretation / _rStephen Bann -- _tHistories -- _tOriginality / _rRichard Shiff ; _tAppropriation / _rRobert S. Nelson ; _tArt history / _rDavid Carrier ; _tModernism / _rCharles Harrison ; _tAvant-garde / _rAnn Gibson ; _tPrimitive / _rMark Antliff & Patricia Leighten ; _tMemory/monument / _rJames E. Young -- _tSocial relations -- _tBody / _rAmelia Jones ; _tBeauty / _rIvan Gaskell ; _tUgliness / _rNina Athanassoglou-Kallmyer ; _tRitual / _rSuzanne P. Blier ; _tFetish / _rWilliam Pietz ; _tGaze / _rMargaret Olin ; _tGender / _rWhitney Davis ; _tIdentity / _rRichard Meyer -- _tSocieties -- _tProduction / _rTerry Smith ; _tCommodity / _rPaul Wood ; _tCollecting/museums / _rDonald Preziosi ; _tValue / _rJoseph L. Koerner & Lisbet Rausing ; _tPostmodernism/postcolonialism / _rHomi K. Bhabha ; _tVisual culture/visual studies / _rJames D. Herbert ; _tSocial history of art / _rCraig Clunas ; _tAfterword : Figuration / _rRichard Shiff. |
520 | _aEdited by Robert Nelson and Richard Shiff, Critical terms for art history is both an exposition and a demonstration of contested terms from the current art historical vocabulary. In individual essays, scholars examine the history and use of these terms by grounding their discussions in single works of art, reading each work through current debates and methods. This instructive combination of theory and practice allows readers to examine the terms as they are seeing them employed. In its wide representation of contemporary discourse, this book is a comprehensive effort to map historical and theoretical debates over the visual environment. | ||
650 | 0 |
_aArt _xHistoriography _xTerminology. |
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650 | 0 |
_aEnglish language _vTerms and phrases. |
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700 | 1 |
_aNelson, Robert S., _d1947- |
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700 | 1 | _aShiff, Richard. | |
856 | 4 | 2 |
_3Publisher description _uhttp://catdir.loc.gov/catdir/description/uchi051/2002035978.html |
856 | 4 | 2 |
_3Contributor biographical information _uhttp://catdir.loc.gov/catdir/bios/uchi051/2002035978.html |
856 | 4 | 1 |
_3Table of contents _uhttp://catdir.loc.gov/catdir/toc/fy037/2002035978.html |
942 | _cBOOK | ||
994 |
_aZ0 _bSUPMU |
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596 | _a2 | ||
999 |
_c2316 _d2316 |