000			01713cam a2200325 4500
001			u7474
003			SA-PMU
005			20210418122929.0
010			_a 2002018490
040			_aDLC _beng _cDLC _dLVB _dPSM _dNLGGC _dBAKER _dBTCTA _dYDXCP _dIG# _dVP@ _dDEBBG _dVRC
020			_a0631227075 (alk. paper)
020			_a9780631227076 (alk. paper)
020			_a0631227083 (pbk. : alk. paper)
020			_a9780631227083 (pbk. : alk. paper)
035			_a(OCoLC)49260988 _z(OCoLC)150846045 _z(OCoLC)176629656
042			_apcc
050	0	0	_aN6490 _b.A7167 2003
245	0	0	_aArt in theory, 1900-2000 : _ban anthology of changing ideas / _cedited by Charles Harrison and Paul Wood.
250			_a2nd ed.
260			_aMalden, MA : _bBlackwell Pub., _c2003.
300			_axxvii, 1258 p. ; _c26 cm.
500			_aRev ed. of: Art in theory, 1900-1990. 1993.
504			_aIncludes bibliographical references (p. [1188]-1211) and index.
505	0		_aClassicism and originality -- Expression and the primitive -- Modernity -- Cubism -- Neo-classicism and the call to order -- Dissent and disorder -- Abstraction and form -- Utility and construction -- The modern as ideal -- Realism as figuration -- Realism as critique -- Modernism as critique -- The American avant-garde -- Individualism in Europe -- Art and society -- Art and modern life -- Modernist art -- Objecthood and reductivism -- Attitudes to form -- Political aspects -- Critical revisions -- The critique of originality -- Figures of difference -- The condition of history.
650		0	_aArt, Modern _y20th century _xPhilosophy.
700	1		_aHarrison, Charles, _d1942-2009.
700	1		_aWood, Paul.
730	0		_aArt in theory, 1900-1990.
942			_cBOOK
999			_c645 _d645