000			01498cam a2200301 a 4500
001			u7596
003			SA-PMU
005			20210418124226.0
008			031020s2003 enk 000 1 eng
040			_aUKM _beng _cUKM _dOCLCQ _dNLGGC _dOCLCG _dYDXCP _dA7U _dOCLCO
020			_a0752856561
020			_a9780752856568
035			_a(OCoLC)51482713
043			_an-us-ca
050	1	4	_aPS3553.O51165 _bL881 2003
082	0	4	_a813.54 _221
100	1		_aConnelly, Michael, _d1956-
245	1	0	_aLost light / _cMichael Connelly.
260			_aLondon : _bOrion, _c2003.
300			_a360 p. ; _c25 cm.
520			_aAt the end of CITY OF BONES Bosch quit the LAPD, but he's back in a new role, one that will give him more freedom to pursue the cases that compel him. When he left the LAPD Bosch took a file with him - the case of a film production assistant murdered four years earlier during a $2 million robbery on a movie set. The LAPD - now operating under post 9/11 rules - think the stolen money was used to finance a terrorist training camp. Thoughts of the original murder victim are lost in the federal zeal, and when it seems the killer will be set free to aid the feds' terrorist hunt, Bosch quickly finds himself in conflict with his old colleagues and with the FBI.
650		0	_aMurder _xInvestigation _vFiction.
650		0	_aPolice _zCalifornia _zLos Angeles _vFiction.
650		0	_aBosch, Harry (Fictitious character) _vFiction.
942			_cBOOK
994			_aZ0 _bSUPMU
596			_a2
999			_c6767 _d6767